Complete Tezos Etherlink Quests On Layer3

Exhibited artists: William Mapan, Kjetil Golid, Iskra Velitchkova, Eko33, Marcelo Soria-Rodríguez, Alkan Avcioğlu, Obvious, Alice Gordon, Helena Sarin, Ganbrood, Jared S. Tarbell, Manoloide and Nancy Burson. As an integral part of the show, we present a curated selection from French @lemonde2d private collection, with the works by Michael Zancan, Phaust, Marcel Schwittlick, Anna Beller & Alejandro Campos, Stuart Batchelor, Casey Reas, and Peter Beyls.

From October 13th to 22nd, in the heart of Paris, Kate Vass Galerie presents Art Salon ‘Node to Node’, presenting an extraordinary physical exhibition of generative and AI art, alongside selected pieces from a renowned French @lemonde2d private collection. Beyond the displayed art, visitors can immerse themselves in many live performances, insightful live art conversations/interviews, and engaging interactive workshops.

Before the mid-20th century, art was primarily rooted in the physical world. A transformative wave that emerged in the 1960s, propelled by the rise of technology and computers, is considered the beginning of generative art. It is a genre characterized by algorithms and computational processes to autonomously generate images and forms, forever had altered the artistic landscape. Though, most of the art movements of the beginning of the 20th century, such as, Dadaism, Surrealism, Abstract Expressionism, Op Art & Kinetic arts are known predecessors to generative art, initially, it was met with scepticism by the traditional art world due to its departure from established artistic methods and the introduction of new technological processes.

A common misconception is that computer-generated art exists exclusively in the digital sphere due to its digital nature. In truth, the movement boasts a rich materiality; early computer artists translated their visions onto paper through plotters, mechanical arms directed by computer code. The recent surge of NFTs has propelled and complicated the genre’s identity. As generative art gains newfound popularity, there is a resurgence in the importance of the physical component, reviving these early practices. Artists are returning to traditional tools and thus reconnecting with the techniques that defined the genre’s roots.

This Art Salon is titled “Node to Node” after the eponymous Jared S. Tarbell’s iconic artwork. The exhibition context involves creating a seamless connection between the digital and physical aspects. The classical term ‘Node to Node’ in telecommunications and computing typically refers to a network communication concept foundational for data transmission and networking, ensuring that information gets from one point to another efficiently and reliably. This exhibition connects natively digital art with physical counterparts, demonstrating a harmonious communication and connection between both. Though possessing its unique essence, each artwork is woven into a seamless network, revealing the interplay between virtual and physical. In this dynamic convergence, the exhibition aims to showcase generative creations across various physical mediums, ranging from plotter drawings, paintings, and fine art prints to hand-woven tapestry, post-photography, and site-specific installations.

The Art Salon showcases celebrated artists, each contributing their unique viewpoints to the realm of generative and AI art. Kevin Abosch, a conceptual artist known for his diverse creative ventures, ranging from photography and installations to blockchain art, unveils an extraordinary painting this time. Departing from extensive digital groundwork, Abosch reintroduces traditional art-making materials such as paint, infusing the piece with a distinctly human touch.

Jared S Tarbell, an artist, and programmer, intertwines mathematics, generative code, and geometric aesthetics in his recent series of five prints titled “Circle Inversion”. He employs mathematical rules to dictate the movements of particles. Within his art, there exists a palpable sense of spirituality harmoniously intertwined with the precision of computing logic. His work is presented as a set of 5 unique images, grouped together as an ensemble reflecting the base algorithm.

One of the most prominent AI artists of our time, Ganbrood, returns to his roots in photography with his new post-photography series. These works blend different atmospheres with futuristic, but yet real figures and elements, evoking a sense of familiarity while venturing into the surreal. Through the lens of AI, Ganbrood bridges the realms of reality and imagination and tricks us into his magic.

Alice Gordon, an emerging AI artist unveils her second collection – “Clonism”. The series explores cloning as a common, everyday reality, a banality that is both near and distant. It diverges from the typical, grim, metallic clones, by adopting a pastel pop aesthetic and offering a new visual language. This collection redefines perceptions of cloning in popular culture and science, distinguishing it from traditional representations.

One of the key contemporary generative artists Helena Sarin exhibits her new work as a diptych “Marshes: The Melancholic Latentscape”. The work redefines the application of GANs by training them with her unique, tangible landscape artworks. With a longstanding dedication to ceramics, which she often infuses with AI-generated images, Sarin paired this work with a ceramic vase, serving as a testament to this distinct artistic process.

Hailing from Norway, Kjetil Golid is a generative artist and a skilled system developer. Kjetil passionately believes that programming serves as a wondrous platform for creative expression. As such, a substantial portion of his code is made openly accessible for anyone interested in exploration and manipulation. In addition to crafting static artworks, he has ingeniously designed interactive tools that empower individuals to generate captivating visuals without needing prior coding expertise. We are thrilled to unveil his latest series of works, comprising eight distinct and exceptional pieces emerging from his innovative algorithms. These pieces will be officially launched in November, but we exhibit one piece as an exclusive preview, as a unique fine art print accompanied by 1/1 NFT.

Paris-based artist William Mapan is a virtuoso at the intersection of technology and art, leaving an indelible mark on the digital art landscape. His background in software development has provided a robust foundation for his artistic journey, where he masterfully harmonizes computational precision with the depths of emotive expression. For a decade, Mapan dedicated himself to creative development, with art remaining a side pursuit until a serendipitous encounter in 2018 led him into the fascinating world of NFTs. Mapan’s abstract digital masterpieces, renowned for their distinctive interplay of colour and texture, evoke tangible emotions akin to works crafted from traditional mediums like charcoal and graphite. Beyond his creative endeavours, Mapan imparts his knowledge as a lecturer at Gobelins, l’école de l’image in Paris. During this exhibition, we proudly present his inaugural ‘Code Painting,’ a breathtaking fusion of various tools on canvas, alongside several generative sketches illuminating the extensive ‘study’ behind the final composition.

Alkan Avcioğlu showcases AI-generated artworks of the “Parisiennes” to unveil a compelling tale swathed in surreal beauty. Beyond idyllic garden scenes lies a realm where shadows of conflict and emotion swirl. The vibrant works reveal a modern family’s disrupted reality in the information age, their existence a blend of harmony and upheaval.

Nancy Burson, recognized for pioneering the digital morphing technique, will present “The First Aged Barbie”. In this work, Burson delved into the societal constructs of beauty. She used her innovation, the age machine, to transform the face of a classic Barbie doll using age-enhancement tools. During this phase of her work, Burson employed a device gifted by Polaroid that printed out Spectra Polaroids directly from the computer.

Ivona Tau presents physical paintings from her “Machine-hearted” series, exploring the large AI model’s strengths and shortcomings in expressing complex human emotions in visual form. In addition to the exhibition, Ivona Tau conducts live performances, collaborating with visitors to create ‘Machine-hearted’ portraits. This experience empowers participants to personalize the emotions she explores in her work.

The exhibition is open from 13th October (6pm CET) till 22nd October. We thank our main partner fx(hash) for the support in organizing this event.

ADDRESS:

Kate Vass Galerie 91 rue Saint-Honore

75001 Paris France

OPENING HOURS:

Mo-Fri: 12.00 – 20.00

Sat: 14.00 – 20.00

Sun: closed / by appointment only

Complete Tezos Etherlink Quests On Layer3

Exhibition

View More

Exhibition, NFTs

Museum of the Moving Image announces major yearlong partnership with the Tezos Foundation 

The partnership offers a unique opportunity for artists working with digital tools to exhibit their work and visitors the ability to mint and take home a fragment of the artwork for free

Read More

Exhibition, Musée d’Orsay, Web3

Musee D’Orsay, Agoria, and Johan Lescure Release New NFTs After Historic Sold Out Exhibition

The Musée d’Orsay’s venture into Web3 art does not end with the Le Code d’Orsay exhibition. Following a sell-out sale that saw 26,400 tez traded on the Objkt.One platform, Agoria and Lescure are set to release two additional digital artworks. These pieces, inspired by the ongoing exhibition and available for auction, continue to explore the dialogue between digital innovation and artistic expression.

Read More

Exhibition, Latest News, Web3

Le Code d’Orsay: Agoria Blends Artistic Innovation with Blockchain at Musée d’Orsay

In a convergence of art, music, and blockchain technology, the Musée d’Orsay is welcoming the innovative artist Agoria for an event blending digital artistry with the museum’s historic collection. The event, {Le code d’Orsay} (Orsay Code), running from February 13 to March 10, 2024, aims to attract new audiences by showcasing experimental creations in the digital and physical realms.

Read More

Disclaimer

Nature of Content: All content published on https://xtz.news, whether written, auditory, or visual, is for informational purposes only. Opinions expressed therein are solely those of the individual authors and do not reflect the views of XTZNews or its management.

Not Financial Advice: No content on this website constitutes investment, financial, legal, or tax advice. Users should not construe any such information as a recommendation to buy, sell, or hold any investment or security or to pursue any particular investment strategy.

Accuracy and Completeness: While XTZNews makes every effort to ensure the accuracy and reliability of information, we do not warrant or guarantee the timeliness, completeness, or accuracy of the information presented. The website may contain errors, omissions, or inaccuracies. We disclaim all warranties, both express and implied, regarding the information, including but not limited to, any warranty of merchantability or fitness for a particular purpose.

Endorsements: References to specific entities, products, services, processes, or other information does not constitute or imply endorsement, sponsorship, or recommendation by XTZNews. Blockchain technology is in a developmental phase, and the engagement with the technology and its associated entities carries inherent risks.

User’s Responsibility: Users are encouraged to conduct their own research and due diligence and to seek the advice of qualified professionals before making any investment or decisions related to content on this site. Engaging with blockchain technology, cryptocurrencies, and associated applications should be undertaken with caution, understanding the inherent risks involved.

Limitation of Liability: Under no circumstances will XTZNews or its affiliates, partners, officers, directors, employees, shareholders, agents, or licensors be liable for any direct, indirect, incidental, special, consequential, or punitive damages, including without limitation, loss of profits, data, use, goodwill, or other intangible losses, resulting from (i) your access to or use of or inability to access or use the site; (ii) any content obtained from the site; or (iii) unauthorized access, use, or alteration of your transmissions or content, whether based on warranty, contract, tort (including negligence), or any other legal theory, whether or not we have been informed of the possibility of such damage, and even if a remedy set forth herein is found to have failed its essential purpose.

Seek Independent Advice: Before undertaking any financial investments, potential investors are advised to seek guidance from independent financial, legal, and tax professionals.